Showing posts with label Confessions of a Number One Son. Show all posts
Showing posts with label Confessions of a Number One Son. Show all posts

Wednesday, September 9, 2015

WORLD LITERATURE TODAY Reviews THE CONFESSIONS OF A NUMBER ONE SON

Robert Murray Davis has a review of The Confessions of a Number One Son in World Literature Today. Although brief, it features some incisive commentary on both the novel and its relationship to the overall arc of Frank Chin's career.

Here's the first paragraph, but check out the full review at the link below the excerpt:

As Calvin McMillin notes, and as longtime readers of Frank Chin’s work will realize, The Confessions of a Number One Son: The Great Chinese American Novel includes characters, episodes, and cultural references, most of them pop, that have appeared in plays, fiction, and essays, for to quote Chin, “It’s all part of the same kit.” McMillin has done a commendable job in assembling, from various scattered drafts of Chin’s novel, abandoned about four decades ago, a typescript of 662 pages and then cutting material used in later stories and novels to result in the version now published.

http://www.worldliteraturetoday.org/2015/september/confessions-number-one-son-great-chinese-american-novel-frank-chin

Wednesday, August 12, 2015

INTERVIEW ON CHINTALKS BLOG

Eddie Chern, editor of Frank Chin's blog Chin Talks, conducted an extensive interview with me about my work on The Confessions of a Number One Son. We discuss everything from my background to my thoughts on what the novel's prospects might have been, if it had been published in the 1970s as originally intended. You can check out the full interview at link below:

http://chintalks.blogspot.com/2015/08/an-interview-with-calvin-mcmillin.html

Friday, July 24, 2015

Rave Review for THE CONFESSIONS OF A NUMBER ONE SON in NICHI BEI WEEKLY!

Martha Nakagawa wrote a positive review of The Confessions of a Number One Son for the Nichi Bei Weekly that also has some mighty complimentary things to say about yours truly. Check out an excerpt of the review below before reading the full critique here.

Calvin McMillin is to be commended for breathing life into a long-lost novel by Frank Chin, a writer who has been instrumental in shaping Asian American literature.

“The Confessions of a Number One Son,” although written more than four decades ago, is proof positive that Chin is a master wordsmith, whose prose brim with word plays, stream of consciousness and a cast of characters that only Chin could conjure up.

“Confessions” is a sequel to “The Chickencoop Chinaman,” and follows the adventures or rather, the misadventures of Golford Tam Lum.

Read the full review here:

http://www.nichibei.org/2015/07/a-twisted-trip-filled-with-raunchy-comedy-and-poignant-tenderness/

Friday, April 3, 2015

Frank Chin's THE CONFESSIONS OF A NUMBER ONE SON (2015) is now available for purchase!

In the early 1970s, Frank Chin, the outspoken Chinese American author of such plays as The Chickencoop Chinaman and The Year of the Dragon, wrote a full-length novel that was never published and presumably lost. Nearly four decades later, Calvin McMillin, a literary scholar specializing in Asian American literature, would discover Chin’s original manuscripts and embark on an extensive restoration project. Meticulously reassembled from multiple extant drafts, Frank Chin’s “forgotten” novel is a sequel to The Chickencoop Chinaman and follows the further misadventures of Tam Lum, the original play’s witty protagonist.

Haunted by the bitter memories of a failed marriage and the untimely death of a beloved family member, Tam flees San Francisco’s Chinatown for a life of self-imposed exile on the Hawaiian island of Maui. After burning his sole copy of a manuscript he believed would someday be hailed as “The Great Chinese American Novel,” Tam stumbles into an unlikely romance with Lily, a former nun fresh out of the convent and looking for love. In the process, he also develops an unusual friendship with Lily’s father, a washed-up Hollywood actor once famous for portraying Charlie Chan on the big screen. Thanks in no small part to this bizarre father/daughter pair, not to mention an array of equally quirky locals, Tam soon discovers that his otherwise laidback island existence has been transformed into a farce of epic proportions.

Had it been published in the 1970s as originally intended, The Confessions of a Number One Son might have changed the face of Asian American literature as we know it. Written at the height of Frank Chin’s creative powers, this formerly “lost” novel ranks as the author’s funniest, most powerful, and most poignant work to date. Now, some forty years after its initial conception, The Confessions of a Number One Son is finally available to readers everywhere.

The novel is available for purchase on Amazon.com and directly from the University of Hawai'i Press (click here for link). 

 Frank Chin is an award-winning playwright, novelist, and cultural critic. His first two plays, The Chickencoop Chinaman and The Year of the Dragon, remain seminal works in the history of Asian American theater. Chin’s books include Donald Duk, Gunga Din Highway, and Bulletproof Buddhists. He is also the co-editor of two landmark anthologies of Asian American literature: Aiiieeeee! and its sequel, The Big Aiiieeeee!

Calvin McMillin is a writer, teacher, and scholar. Born in Singapore and raised in rural Oklahoma, he received his PhD in literature from the University of California, Santa Cruz. He writes fiction and previously worked as a film critic for LoveHKFilm.com, a Hong Kong cinema Web site.

Tuesday, March 31, 2015

THE INTERNATIONAL EXAMINER Publishes the First Review of Frank Chin's THE CONFESSIONS OF A NUMBER ONE SON

Photo by Nancy Wong

Frank Abe has written the first review of Frank Chin's The Confessions of a Number One Son for The International Examiner. Founded in 1974, The International Examiner has long maintained a mission "to serve the Asian Pacific American communities by providing accurate, in-depth, timely, and sensitive coverage of local, regional, national, and international issues which affect us." It should be noted that Abe has special insight into Frank Chin's writing, as he was not only a founding member of Chin’s Asian American Theater Workshop in San Francisco, but he later worked with the author in creating the first Day of Remembrance in Seattle. Read below for a taste of Abe's review before jumping over to The International Examiner for the full story.

The emergence 40 years later of a tightly edited, slimmed-down version of a long-lost novel from the writer who first defined Asian American literature is an unexpected gift.

That’s because to read The Confessions of a Number One Son in 2015 is to peel back the decades and discover the creative foundation of the plays and later fiction of Frank Chin, in the moment before he became consumed with the polemics of separating the real from the fakery in the work of others.

In an early 1970s America where the postwar generation was just coming of age—where the world still celebrated the model minority, the Chinese Christian autobiographies of Betty Lee Sung and Pardee Lowe, and the movie stereotype of Charlie Chan—Frank Chin was putting a self-proclaimed Chinaman voice at the center of his stories. It was an act of self-invention he was perfecting in tandem with his better-known stage plays, The Chickencoop Chinaman and Year of the Dragon.

Read the full review here: http://www.iexaminer.org/2015/03/review-a-first-look-at-frank-chins-great-chinese-american-novel/