Photo by Nancy Wong
The emergence 40 years later of a tightly edited, slimmed-down version of a long-lost novel from the writer who first defined Asian American literature is an unexpected gift.
That’s because to read The Confessions of a Number One Son in 2015 is to peel back the decades and discover the creative foundation of the plays and later fiction of Frank Chin, in the moment before he became consumed with the polemics of separating the real from the fakery in the work of others.
In an early 1970s America where the postwar generation was just coming of age—where the world still celebrated the model minority, the Chinese Christian autobiographies of Betty Lee Sung and Pardee Lowe, and the movie stereotype of Charlie Chan—Frank Chin was putting a self-proclaimed Chinaman voice at the center of his stories. It was an act of self-invention he was perfecting in tandem with his better-known stage plays, The Chickencoop Chinaman and Year of the Dragon.
Read the full review here: http://www.iexaminer.org/2015/03/review-a-first-look-at-frank-chins-great-chinese-american-novel/
Post a Comment